
봉준호
Comprehensive chronicle of Bong Joon-ho's journey to global stardom
Comprehensive chronicle of Bong Joon-ho's journey to global stardom
'The script and storyboards for 'Parasite' topped bestseller lists on Korean online bookstores on February 13, 2020.' (Optional, if more detail is needed): 'The two-volume set, featuring Bong Joon-ho's script and storyboards, became an instant hit upon release.'
The script and storyboards for 'Parasite' became bestsellers in Korean online bookstores.
Bong Joon-ho's 'Parasite' vied for the top prize at the 72nd Cannes Film Festival, a career-defining moment against acclaimed directors. The film's success promised to elevate his global standing.
The 72nd Cannes Film Festival concludes with Bong Joon-ho's 'Parasite' competing for the top prize, potentially elevating his global acclaim.
Bong Joon-ho's 'Parasite' dominated the Blue Dragon Awards, winning five prizes—including Best Film (his third) and Best Director. The director thanked the audience and joked about continuing to support Korean cinema.
Bong Joon-ho's 'Parasite' won five Blue Dragon Awards, including Best Film and Best Director, marking his third such win, as he humorously pledged to continue contributing to Korean cinema.
At Cannes, Song Kang-ho lauded Bong Joon-ho’s directing as 'Parasite' clinched the Palme d'Or, celebrating their global triumph. The win cemented the film’s—and Bong’s—international acclaim.
Song Kang-ho commended Bong Joon-ho's directing at Cannes, where "Parasite" won the Palme d'Or.
Bong Joon-ho will head the main jury at the 78th Venice Film Festival, cementing his global cinematic influence post-Oscars. He called it an honor and said he’s eager to explore the festival’s lineup.
Bong Joon-ho will lead the main jury at the 78th Venice Film Festival, a prestigious role reflecting his global cinematic influence after his Oscar success, which he has honored with enthusiasm.
Bong Joon-ho presented the 2021 Best Director Oscar remotely from Seoul, highlighting his global impact after his 2020 win. He announced Chloe Zhao as the winner in a pre-recorded segment.
Bong Joon-ho presented the 2021 Best Director Oscar remotely from Seoul, showcasing his continued global influence following his 2020 'Parasite' win, as he introduced nominees and announced Chloe Zhao's victory.
Bong Joon-ho was featured in the 2021 'Petit Larousse Illustré', a prestigious French encyclopedia, recognizing his global cinematic influence. This honor underscores his impact in France and beyond.
Bong Joon-ho was included in the 2021 'Petit Larousse Illustre' for his cinematic influence in France and French-speaking regions.
Lee Sun-kyun and the 'Parasite' cast won a Screen Actors Guild award, cementing the film's global impact. The victory highlighted its groundbreaking success in the international film industry.
Lee Sun-kyun and his Parasite castmates won a Screen Actors Guild award in 2021, reinforcing the film's global success, international acclaim for Bong Joon-ho, and enduring legacy following its Oscar triumph.
Bong Joon-ho's 'Parasite' cast and key crew were invited to join the U.S. Academy, cementing their legacy after the film's historic Oscar wins. This honor highlights their lasting impact on global cinema.
The cast and lead crew of 'Parasite' were invited to join the U.S. Academy following the film's historic Oscar wins, marking a significant milestone.
Choi Sung-jae, Bong Joon-ho's interpreter during 'Parasite''s Oscar campaign, won the YoungSan Diplomat Award for boosting South Korea's global image. His work bridged cultural gaps, playing a key role in the film's international success.
Choi Sung-jae, Bong Joon-ho's interpreter during 'Parasite''s Oscar campaign, won the YoungSan Diplomat Award for boosting South Korea's image by bridging cultural gaps, highlighting the teamwork behind the film's global success.
Bong Joon-ho’s 'Parasite' claimed the top film prize at the Baeksang Arts Awards, extending its winning streak after its historic Oscar triumphs. Producer Kwak Sin-ae accepted the award and revealed Bong is developing a new script.
Bong Joon-ho's 'Parasite' won the grand prize at the Baeksang Arts Awards, further cementing its success after the Oscars, while Kwak Sin-ae shared his update about a new script.
Bong Joon-ho’s 'Parasite' dominated the 56th Daejong Film Awards, winning five trophies, including Best Film and Best Director, solidifying its acclaim after its historic Oscar sweep. Absent due to personal reasons, Bong’s producer accepted the awards, marking another milestone in the film’s celebrated run.
Bong Joon-ho is nominated for Best Director at the 56th Daejong Film Awards for 'Parasite,' underscoring his acclaim post-global success, with the ceremony adapting to COVID-19 safety measures.
Bong Joon-ho earned a Best Director nomination at the 56th Daejong Film Awards for 'Parasite'.
"Bong Joon-ho's 'Parasite' won five awards, including best film and director, at the Daejong Film Awards, reinforcing his acclaimed status, though he was absent from the ceremony."
Bong Joon-ho became the first South Korean director to win the Palme d'Or at Cannes for 'Parasite', cementing his global acclaim. Song Kang-ho hailed the victory as a milestone in their collaboration.
Bong Joon-ho made history as the first South Korean director to win the Palme d'Or at Cannes for 'Parasite', a career-defining achievement that boosted his global acclaim and was highlighted in Song Kang-ho's speech.
Bong Joon-ho's 'Parasite' made history again, winning Best Foreign Language Film at Italy’s David di Donatello Awards—the first South Korean film to earn this honor. The victory adds to its global acclaim after its groundbreaking Oscar success.
Bong Joon-ho's 'Parasite' made history as the first South Korean film to win best foreign language film at Italy's David di Donatello awards, adding to its global recognition after its Oscar success.
Bong Joon-ho arrived at Incheon Airport to a hero’s welcome after 'Parasite'’s historic Oscar wins. He thanked fans and shared his pride in bringing global acclaim to South Korean cinema.
Bong Joon-ho will return home next week after 'Parasite's historic Oscar wins, celebrating his global acclaim and the film's international impact.
Bong Joon-ho arrived at Incheon International Airport to a warm welcome from fans and media after his historic Oscar wins for 'Parasite', thanking supporters and expressing relief at ending his U.S. promotional tour.
Cardinal Andrew Yeom Soo-jung praised Bong Joon-ho’s Oscar wins for uplifting South Koreans during the pandemic and celebrating a century of Korean cinema. His remarks highlighted the broader cultural significance of Bong’s achievements.
Cardinal Andrew Yeom Soo-jung congratulated Bong Joon-ho and his team for their Oscar wins, highlighting the cultural significance and uplifting impact on South Korea during the coronavirus pandemic.
Bong Joon-ho’s 'Parasite' shattered barriers at the 2020 Oscars, becoming the first non-English film to win Best Picture, along with Best Director, Best Original Screenplay, and Best International Feature. The historic triumph at the Dolby Theatre cemented Bong’s global legacy, as he credited his team and family in heartfelt speeches.
Bong Joon-ho's 'Parasite' made history at the 92nd Academy Awards by becoming the first Korean film and first non-English film to win Best Picture, along with Best Director, Best Original Screenplay, and Best International Feature Film, with Bong crediting his team and wife for its success.
Bong Joon-ho's 'Parasite' made history by becoming the first non-English film to win Best Picture at the 92nd Oscars, along with three other awards, boosting his global recognition and showcasing South Korea's film excellence.
The 92nd Academy Awards made history as Bong Joon-ho’s 'Parasite' became the first non-English film to win Best Picture, along with Best Director and Best Original Screenplay. The South Korean thriller’s triumph capped an awards-season sweep, solidifying Bong’s global acclaim and marking a milestone for Korean cinema. Nominated for six Oscars, 'Parasite' exceeded expectations after earlier wins at the Golden Globes and SAG Awards.
The 92nd Academy Awards are slated to take place, with 'Parasite' nominated for six Oscars including Best Picture and Best Directing, potentially elevating Bong Joon-ho's global standing after its SAG win raised expectations for the ceremony.
Bong Joon-ho hopes a potential 'Parasite' Oscar win for best international feature film will boost the South Korean movie industry.
"Following its wins at the Critics' Choice Awards and Golden Globes, 'Parasite' is expected to receive multiple Oscar nominations, which will be announced on January 13, 2020."
Bong Joon-ho's 'Parasite,' the first South Korean film nominated for an Oscar, earned six Academy Award nominations including Best Picture and Best Director, solidifying his global acclaim after its successful U.S. awards season run following its Cannes win, alongside the release of its black-and-white version.
Bong Joon-ho’s 'Parasite' made Oscars history in 2020 as the first non-English film to win Best Picture, along with Best Director, Best Original Screenplay, and Best International Feature. The acclaimed director thanked his team during the ceremony, celebrating the film’s groundbreaking success.
Bong Joon-ho's 'Parasite' made history at the 92nd Academy Awards as the first Korean film and first non-English film to win Best Picture, along with Best Director, Best Original Screenplay, and Best International Feature Film, with Bong crediting his team and wife for the collective achievement.
Bong Joon-ho’s 'Parasite' triumphed at the BAFTA Awards, winning Best Original Screenplay and Best Film Not in the English Language, boosting its awards-season momentum. Bong praised his cast and the film’s universal appeal in his speech, cementing his global acclaim ahead of its historic Oscars sweep. (2 sentences)
Bong Joon-ho's 'Parasite,' already a Palme d'Or and Golden Globe winner, was nominated in four categories at the BAFTA Awards, a key Oscars precursor, and won Best Original Screenplay and Best Film Not in the English Language, further cementing its critical acclaim as Bong praised its universal appeal in his acceptance speech.
Bong Joon-ho's film 'Parasite' won Best Original Screenplay and Best Film Not in the English Language at the BAFTA awards in London.
Bong Joon-ho's 'Parasite' was selected as South Korea's Oscar entry, highlighting its global appeal and Korean cinema's rising influence. The dark comedy became a strong contender for multiple Academy Awards.
"Parasite," South Korea's Oscar entry for best international feature film, gained significant recognition in Hollywood, positioning it as a strong contender with Bong Joon-ho and the cast actively campaigning for awards.
Bong Joon-ho's 'Parasite' became South Korea's Oscar submission for Best International Feature Film, cementing its status as a major awards contender. The choice highlighted both the film's global appeal and Korean cinema's rising influence.
"Parasite," South Korea's Oscar entry for best international feature film, gained significant awards buzz with Bong Joon-ho and the cast actively campaigning for recognition.
At the 92nd Oscars, 'Parasite' made history as the first non-English film to win Best Picture, along with Best Director, Original Screenplay, and International Feature, cementing Bong Joon-ho’s global acclaim and South Korea’s cultural influence. Its groundbreaking success, fueled by Choi Sung-jae’s translation and a historic SAG ensemble win, marked a high point for Korean cinema and 'hallyu'.
At the 92nd Academy Awards, Bong Joon-ho's 'Parasite' made history as the first foreign language film to win the best picture Oscar, along with awards for best director, original screenplay, and international feature, capping his award season success and solidifying his global acclaim.
Bong Joon-ho praised BTS while accepting Oscars for 'Parasite', celebrating South Korea's global cultural influence. Suga later thanked him for the shoutout during a press conference.
Bong Joon-ho's Oscar win for 'Parasite' and his praise for BTS highlighted South Korea's global cultural influence, which Suga later appreciated.
Bong Joon-ho and Han Jin-won won the 2020 WGA Award for Best Original Screenplay for 'Parasite', celebrated at dual ceremonies in New York and Los Angeles. The victory reinforced the film's acclaim during its historic awards season sweep.
Bong Joon-ho and Han Jin-won won the WGA Award for Best Original Screenplay for 'Parasite' at simultaneous ceremonies in New York and Los Angeles.
Bong Joon-ho and the 'Parasite' team made a final Oscars push at the DGA Awards, where the film was nominated for the top prize. Their strong presence aimed to sway AMPAS voters ahead of the Academy Awards.
Bong Joon-ho and the 'Parasite' team are campaigning at the DGA Awards to boost their Oscar prospects.
Bong Joon-ho's 'Parasite' made history as the first foreign-language film to win Best Edited Feature at the ACE Eddie Awards. Editor Yang Jin-mo celebrated the groundbreaking win with heartfelt gratitude.
Bong Joon-ho's 'Parasite' made history as the first foreign language film to win best edited feature at the ACE Eddie Awards, with editor Yang Jin-mo expressing gratitude during his acceptance speech.
'Parasite' broke barriers on January 19, 2020, becoming the first foreign-language film to win the SAG Award for Best Cast. This historic victory boosted its Oscar momentum, cementing Bong Joon-ho’s acclaim and signaling strong awards potential.
"Parasite" made history as the first foreign-language film to win the SAG Award for Best Cast, boosting its Oscars prospects and director Bong Joon-ho's acclaim.
On January 13, 2020, Bong Joon-ho’s 'Parasite' made history as the first South Korean film to earn Oscar nominations, including Best Picture and Best Director. The groundbreaking recognition by the Academy cemented its global acclaim and Bong’s rising stature in cinema.
The announcement of the final five Academy Award nominees, including South Korea's entry 'Parasite,' is expected to make history as the first South Korean film nominated for an Oscar, specifically for best international feature film, which will determine its Oscar prospects and could boost director Bong Joon-ho's global acclaim following widespread critical acclaim.
Bong Joon-ho's 'Parasite' won Best Foreign Language Film at the 2020 Critics' Choice Awards, further cementing its awards season dominance. The film also earned seven nominations, including Best Picture and Best Director, boosting its Oscar momentum.
"Parasite" won best foreign-language film at the Critics' Choice Awards, boosting its Oscar prospects after earning seven nominations, including best picture and best director.
Bong Joon-ho’s 'Parasite' made history by becoming the first South Korean film to win Best Foreign Language Film at the 2020 Golden Globes, solidifying its global acclaim ahead of the Oscars. The victory, alongside nominations for Best Director and Best Screenplay, spurred a major expansion to over 1,000 North American theaters. Bong’s speech celebrated cinema’s power to transcend language barriers, amplifying the film’s international impact.
"Bong Joon-ho's 'Parasite' won best foreign-language film at the 77th Golden Globe Awards."
Bong Joon-ho's 'Parasite' made history as the first South Korean film to win best foreign film at the Golden Globes, also earning nominations for best screenplay and director, while Bong highlighted cinema's universal appeal in his acceptance speech, showcasing his global influence and setting the stage for further awards success.
Following its Golden Globe win for Best Foreign Language Film, 'Parasite' expanded from 620 to over 1,000 North American theaters.
Bong Joon-ho’s 'Parasite' won Best Picture and Best Screenplay at the 2020 NSFC Awards, boosting its awards season momentum ahead of the Oscars. The victory reinforced the film’s critical acclaim.
Bong Joon-ho's 'Parasite' won best picture and best screenplay at the NSFC awards.
Bong Joon-ho's 'Parasite' won Best Foreign Language Film at the 2020 Golden Globes, boosting its awards season momentum ahead of the Oscars. The victory cemented its global acclaim.
Bong Joon-ho's 'Parasite' won best foreign-language film at the 77th Golden Globe Awards.
Bong Joon-ho's 'Parasite' made history as the first South Korean film shortlisted for the Oscars' best international feature, later winning four awards—including Best Picture and Best Director. The groundbreaking achievement spotlighted the global rise of South Korean cinema.
Bong Joon-ho's 'Parasite' made history as the first South Korean film shortlisted for the Oscars' best international feature, generating widespread media coverage and anticipation ahead of its eventual win.
Bong Joon-ho's 'Parasite' made history as the first South Korean film to be an Oscars finalist in the international feature category and went on to win four awards, including Best Picture and Best Director.
Bong Joon-ho’s 'Parasite' made history at the 2020 Oscars, sweeping Best Picture, Director, Original Screenplay, and International Feature—a first for South Korean cinema. The film’s triumph reshaped global recognition for Korean filmmakers and influenced future Oscar submissions.
Bong Joon-ho's 'Parasite' made history by winning four Oscars, including Best Picture, elevating South Korean cinema's global profile and influencing future Oscar submissions like 'Concrete Utopia.'
Bong Joon-ho’s 'Parasite' made history in 2020 as the first non-English film to win the SAG Award for Outstanding Cast, foreshadowing its later Oscar triumph. The victory cemented Bong’s status as a visionary filmmaker.
Bong Joon-ho's 'Parasite' made history by becoming the first non-English film to win the SAG Award for best ensemble (cast), foreshadowing its later Oscar success and cementing his status as a groundbreaking filmmaker.
Bong Joon-ho’s 'Parasite' made history in 2020 as the first Korean-language film to win Best Foreign Language Film at the Golden Globes, marking a breakthrough for Korean cinema. The victory foreshadowed its later Oscar success and paved the way for films like 'Minari' to follow.
Bong Joon-ho's 'Parasite' made history as the first Korean-language film to win best foreign-language film (best non-English language film) at the Golden Globes, boosting global recognition for Korean cinema and Bong Joon-ho's international acclaim before its historic Oscar wins, followed by 'Minari's' win the next year.
Bong Joon-ho's 'Parasite' made history in 2020, winning BAFTAs for Best Film Not in the English Language and Best Original Screenplay, cementing its global influence and spotlighting Korean cinema. The accolades further showcased Bong Joon-ho's visionary storytelling.
Bong Joon-ho's 'Parasite' won the BAFTA foreign-language film prize and best original screenplay, solidifying his global reputation and marking a milestone for Korean cinema.
Bong Joon-ho’s 'Parasite' made history in 2020 as the first non-English film to win Best Picture at the Oscars, along with Best Director and two other awards. The groundbreaking victory showcased Korean cinema’s global impact and paved the way for future successes like Youn Yuh-jung’s Oscar win.
Bong Joon-ho's 'Parasite' made history by winning four Oscars, including Best Picture and Best Director, marking a breakthrough for South Korean cinema and cultural representation in Hollywood, paving the way for future successes like Youn Yuh-jung's and highlighting Korean films' global influence.
After 'Parasite' swept the Oscars with four wins, including Best Picture, key cast and crew were invited to join the Academy in 2020, cementing the film's global influence.
Following 'Parasite's' historic four Oscar wins, including Best Picture, several of its cast and crew were invited to join AMPAS, reflecting the film's global impact and recognition.
Youn Yuh-jung made history in 2020 by winning an Oscar for 'Minari', cementing Korean cinema's global rise after 'Parasite''s success. Her triumph showcased Korea's expanding influence in international film.
Youn Yuh-jung won an Oscar for 'Minari,' continuing the success of 'Parasite.'
Bong Joon-ho made history at the 2020 Critics Choice Awards, winning Best Director and Best Foreign-Language Film for 'Parasite'—the first South Korean filmmaker to achieve this feat. The victories amplified the film’s global acclaim, foreshadowing its historic Oscar sweep and cementing South Korea’s rise in international cinema.
Bong Joon-ho became the first South Korean filmmaker to win Best Director at the 25th Critics Choice Awards for 'Parasite', which also won best foreign-language film, boosting its acclaim ahead of historic Oscar wins and paving the way for continued international recognition of South Korean talent like Lee Jung-jae.
Bong Joon-ho's 'Parasite' made history at the 2020 SAG Awards, winning Best Ensemble before its historic Oscar sweep—including Best Picture. The victories solidified the film’s global acclaim and Bong Joon-ho’s status as a visionary filmmaker.
Bong Joon-ho's 'Parasite' won best ensemble at the SAG Awards and swept four Oscars including Best Picture, gaining widespread international acclaim and foreshadowing its historic Oscar success.
Bong Joon-ho's 'Parasite' won two 2020 BAFTAs—Best Non-English Language Film and Original Screenplay—boosting its momentum before its historic Oscar sweep. The victories cemented Bong's reputation as a global cinematic powerhouse.
Bong Joon-ho's BAFTA wins for 'Parasite' in Best Non-English Language Film and Original Screenplay, followed by Oscar success, cemented his global cinematic acclaim.
Bong Joon-ho’s 'Parasite' made history at the 2020 Oscars, sweeping four awards—including Best Picture and Best Director—and cementing South Korea’s place in global cinema. Its groundbreaking win continues to shape the country’s Oscar submissions today.
Bong Joon-ho's 'Parasite' made history by winning four Oscars, elevating South Korean cinema and influencing future Oscar submissions like 'Concrete Utopia.'
"Parasite" gained major momentum in January 2020 by winning key guild awards, emerging as a formidable challenger to "1917" ahead of the Oscars. Its success defied expectations, given the Academy's historical bias toward English-language films.
"Despite skepticism due to the Oscars' historical bias toward English-language films, 'Parasite's' major guild wins in January solidified its status as a strong contender against '1917,' highlighting its critical acclaim and awards season momentum."
Bong Joon-ho received South Korea’s Eungwan Order of Cultural Merit on December 19, 2019, honoring his global impact on Korean cinema after 'Parasite' won the Palme d’Or. The award ceremony was held at Seoul’s National Theater of Korea.
Bong Joon-ho received South Korea's Eungwan Order of Cultural Merit for elevating Korean cinema globally, particularly following 'Parasite's' Palme d'Or win, at a ceremony in Seoul's National Theater.
Bong Joon-ho won Best Director at the 2019 KFPA Awards for 'Parasite', held in Seoul. The honor highlighted his influence on Korean cinema and cemented his critical acclaim.
Bong Joon-ho will receive the Best Director award at the KFPA ceremony in Seoul for his critically acclaimed film 'Parasite'.
On December 16, 2019, 'Parasite' dominated the Chicago Film Critics Association Awards, winning Best Picture and Best Director for Bong Joon-ho, boosting its Oscars momentum. The victories underscored Bong's rising global impact in cinema.
"Parasite" won four Chicago Film Critics Association awards, including Best Picture and Best Director for Bong Joon-ho, boosting its Oscar momentum and showcasing his rising global influence.
Bong Joon-ho’s 'Parasite' swept three awards—Best Director, Best Screenplay, and Best Foreign Language Film—from the San Francisco Bay Area Film Critics Circle on December 16, 2019. The wins boosted its momentum ahead of the 2020 awards season, adding to its critical acclaim.
Bong Joon-ho's 'Parasite' won three awards from the San Francisco Bay Area Film Critics Circle, boosting its momentum ahead of the 2020 award season.
Bong Joon-ho's 'Parasite' won Best Film and Best Director at the 2019 L.A. Film Critics Awards, cementing its awards season momentum ahead of the Oscars. The film's North American success, including strong ticket sales, further boosted its acclaim.
Bong Joon-ho's 'Parasite' won Best Film and Best Director from the L.A. Film Critics Association, boosting its Oscars prospects amid strong North American success.
Bong Joon-ho's 'Parasite' earned seven Critics' Choice Awards nominations, including Best Picture and Best Director, solidifying its status as an awards season frontrunner. The BFCA announced the nods on December 8, 2019.
The American-Canadian BFCA nominated Bong Joon-ho's 'Parasite' for seven Critics' Choice Awards, including Best Picture and Best Director.
Bong Joon-ho's 'Parasite' won Best Foreign Language Film at the National Board of Review (NBR) on December 4, 2019, boosting its Oscar prospects. The NBR award reinforced the film’s critical momentum ahead of awards season.
Bong Joon-ho's 'Parasite' won the National Board of Review's best foreign language film award, boosting its Oscar prospects as the NBR is a key awards season indicator.
Song Kang-ho won the Excellence Award at the 2019 Locarno Film Festival, where Bong Joon-ho joined him to celebrate their partnership. The festival also screened Bong’s 'Memories of Murder', spotlighting their cinematic impact.
Bong Joon-ho will join Song Kang-ho at the Locarno Film Festival, where Song receives the Excellence Award and Bong's film Memories of Murder will be screened, showcasing their collaboration and global impact.
Bong Joon-ho launched 'Parasite'’s U.S. Oscar campaign in August 2019 with Neon, Barunson E&A, and CJ ENM, securing its historic Oscar wins despite a tight budget. The strategic push was key to its awards-season success.
Bong Joon-ho's strategic Oscar campaign for 'Parasite', despite a limited budget, achieved unprecedented success through collaboration with Neon, Barunson E&A, and CJ ENM.
Bong Joon-ho’s 'Parasite' won the Sydney Film Prize in 2019, praised for its bold take on class struggles. The award, following its Palme d’Or victory, cemented the film’s global acclaim and Bong’s rising stature.
Bong Joon-ho's 'Parasite' won the top honor (Sydney Film Prize) at the 2019 Sydney Film Festival, adding to its acclaim after the Palme d'Or and boosting Bong Joon-ho's global recognition, with the jury lauding its genre-defying class critique.
Bong Joon-ho’s 'Parasite' made history by winning the Palme d’Or at Cannes in 2019, becoming the first South Korean film to earn the honor and propelling global recognition for Korean cinema. The victory drove presale tickets to 127,000 (44.3% of total reservations), while Cardinal Andrew Yeom Soo-jung praised the film’s social commentary.
Bong Joon-ho's 'Parasite' made history as the first South Korean film to win the Palme d'Or at Cannes, cementing his acclaim as a filmmaker who seamlessly merges commercial and artistic success, and boosting both Bong's global reputation and South Korea's cinematic prominence.
Bong Joon-ho's 'Parasite' made history as the first South Korean film to win the Palme d'Or at Cannes, significantly boosting its presale ticket sales.
Cardinal Andrew Yeom Soo-jung congratulated Bong Joon-ho for winning the Palme d'Or at Cannes, praising 'Parasite''s portrayal of social issues and everyday life.
Bong Joon-ho’s 'Parasite' won the Palme d’Or at the 2019 Cannes Film Festival, making history as the first South Korean film to claim the top prize. This triumph cemented Bong’s global reputation and spotlighted South Korea’s rising influence in cinema.
Bong Joon-ho's 'Parasite' made history as the first South Korean film to win the Palme d'Or at Cannes, boosting both the director's global reputation and South Korea's cinematic prestige.
Bong Joon-ho’s 'Parasite' made history by winning the Palme d’Or at Cannes—the first for a South Korean film—propelling him and Korean cinema into global acclaim. The film’s success, fueled by Bong’s meticulous direction and a heartfelt tribute to actor Song Kang-ho, led to widespread box-office and critical praise. It later became South Korea’s Oscar entry, cementing its cultural impact.
Bong Joon-ho made history as the first South Korean director to win the Palme d'Or at Cannes for 'Parasite' in 2019, elevating his global acclaim, setting the stage for the film's critical success, and highlighting his global rise amid South Korea's history of film censorship.
Bong Joon-ho’s 'Parasite' made history as the first non-English film to win Best Picture and Best Director at the Oscars, propelling Korean cinema into the global spotlight. The film’s record-breaking success—from festival sweeps to 10 million domestic viewers—cemented Bong’s status as a visionary filmmaker and opened doors for international cinema in Hollywood.
In 2019, Bong Joon-ho's 'Parasite' made history by becoming the first international film to win Best Picture at the Academy Awards, achieving both critical acclaim with the award and massive domestic success, elevating Bong Joon-ho's global stature and spotlighting Korean cinema while serving as a benchmark for other films' potential.
Bong Joon-ho's 'Parasite' made history as the first Korean film to win the Palme d'Or at Cannes, later sweeping global acclaim—including Oscars—thanks to its gripping storytelling and Song Kang-ho's standout performance. Bong credited the actor in his victory speech, highlighting their powerful collaboration. The film's record-breaking international sales further cemented its worldwide impact.
Bong Joon-ho's 'Parasite' made history as the first Korean film to win the Palme d'Or at Cannes, with Bong crediting actor Song Kang-ho for their win, propelling him to global fame and earning multiple Oscars, cementing his global acclaim and highlighting their successful collaboration.
Bong Joon-ho won a Korea Popular Culture and Arts Award after 'Parasite' made history at Cannes. The honor celebrated his influence on Korean cinema and the film’s global triumph.
Bong Joon-ho was honored at the Korea Popular Culture and Arts Awards for his contributions to Korean cinema and global film industry following 'Parasite's' Cannes Film Festival victory.
Bong Joon-ho's 'Okja' earned a Palme d'Or nomination at Cannes, his first, cementing his global acclaim and storytelling range. The selection highlighted his bold, genre-defying filmmaking.
Bong Joon-ho's 'Okja' earned his first Palme d'Or nomination at Cannes, cementing his global acclaim and showcasing his storytelling versatility.
Bong Joon-ho received France’s prestigious 'Officer of the Order of Arts and Letters' at the French Cinema Tour 2016 opening in Seoul. The award honored his outstanding contributions to global cinema.
Bong Joon-ho received the 'Officer of the Order of Arts and Letters,' France's second-highest cultural honor, for his artistic contributions during the French Cinema Tour 2016 opening in Seoul.
Bong Joon-ho made history in 2015 as one of the first South Korean filmmakers invited to join the Academy of Motion Picture Arts and Sciences, marking a turning point for both his career and Korean cinema’s global rise. This recognition, following 'Snowpiercer', foreshadowed his later 'Parasite' success and opened doors for more Korean talent in Hollywood.
Bong Joon-ho and Song Kang-ho's invitation to join the Academy of Motion Picture Arts and Sciences in 2015 marked a significant step in global recognition for Korean cinema, highlighting their contributions and opening doors for more Korean filmmakers to join the Academy.
Bong Joon-ho and Song Kang-ho were invited to join AMPAS, recognizing their film contributions and granting them Academy Awards voting rights.
Bong Joon-ho became the first South Korean filmmaker invited to join the U.S. Academy Awards as a voting member, reflecting his growing global influence after 'Snowpiercer's' success.
Bong Joon-ho joined the 65th Berlin Film Festival as an international jury member, cementing his global impact after his film 'Snowpiercer' premiered there in 2014. His selection underscores his rising prominence in world cinema.
Bong Joon-ho joins the 65th Berlin Film Festival's international jury, underscoring his rising global cinematic influence after his 2014 film 'Snowpiercer' premiered there.
Bong Joon-ho's 'Snowpiercer' earned three Critics' Choice Movie Awards nominations, including Best Sci-Fi/Horror Film, highlighting its Hollywood breakthrough. The awards ceremony took place on January 15, 2015.
"Snowpiercer" earned three Critics' Choice Movie Award nominations, including best sci-fi/horror film, highlighting Bong Joon-ho's rising Hollywood influence ahead of the January 15, 2015 ceremony.
Bong Joon-ho's 'Snowpiercer' won Best Sci-Fi Film from the Phoenix Film Critics Society in 2014, boosting his global acclaim. The award was announced by distributor CJ E&M on December 24.
"Bong Joon-ho's 'Snowpiercer' won the Phoenix Film Critics Society's best sci-fi film award, highlighting its U.S. critical success and boosting his global reputation, as announced by distributor CJ E&M."
Bong Joon-ho and Kelly Masterson won the Utah Film Critics Association’s best screenplay award for 'Snowpiercer', showcasing Bong’s skill in his English-language debut. The win reinforced his status as a dynamic filmmaker.
Bong Joon-ho and Kelly Masterson won the Utah Film Critics Association's best screenplay award for 'Snowpiercer', showcasing Bong's storytelling skill in his English-language debut and reinforcing his reputation as a versatile director.
Bong Joon-ho's 'Snowpiercer' won Best Picture from the Boston Online Film Critics Association in December 2014 and ranked among their top 10 films of the year, boosting its critical praise and Bong's global reputation.
In December 2014, 'Snowpiercer' won best picture from the Boston Online Film Critics Association, further cementing its critical acclaim and Bong Joon-ho's global appeal, while also ranking among the association's top 10 films of the year.
Acclaimed director Bong Joon-ho joined the 2014 Busan International Film Festival as a juror for its New Currents competition, cementing his industry influence after 'Snowpiercer''s success.
Bong Joon-ho will serve as a juror for BIFF's New Currents competition in October, highlighting his industry influence post-'Snowpiercer.'
Bong Joon-ho’s 'Snowpiercer' swept the fifth 'Film of the Year Awards' in Seoul, winning Best Film and Best Director. The Korea Film Reporters Association’s recognition cemented the film’s critical acclaim and industry impact.
Bong Joon-ho's 'Snowpiercer' won best film and director at Seoul's fifth 'Film of the Year Awards,' earning critical acclaim and industry recognition from the Korea Film Reporters Association.
Bong Joon-ho's 'Snowpiercer' swept three awards, including Best Film and Best Director, at the 33rd Korean Film Critics Association Awards in 2013. The win cemented his status as a visionary filmmaker following his acclaimed English-language debut.
Bong Joon-ho's 'Snowpiercer' won best film and best director at the 33rd Korean Film Critics Association Awards in 2013, cementing his status as a top filmmaker.
Bong Joon-ho was named jury president for the 2013 Olleh International Smartphone Film Festival but missed the press conference while working on 'Snowpiercer'.
Bong Joon-ho was named jury president for the 3rd Olleh International Smartphone Film Festival but missed the press conference because of his work on 'Snowpiercer'.
Bong Joon-ho presided over the Golden Camera jury at the 2011 Cannes Film Festival, cementing his global cinematic influence. This role highlighted his rising prominence in international cinema.
Bong Joon-ho presided over the Golden Camera jury at Cannes, underscoring his rising global film influence.
Bong Joon-ho’s 'Mother' earned major acclaim at the LAFCA awards, with Kim Hye-ja winning Best Actress and the film placing as runner-up for Best Foreign-Language Film. The wins underscored Bong’s global impact and South Korean cinema’s rising prominence.
Bong Joon-ho's film 'Mother', starring Kim Hye-ja, earned her the LAFCA best actress award, highlighting both his global influence and South Korean cinema's rising acclaim.
Bong Joon-ho's film 'Mother' earned runner-up for best foreign-language film at the 36th LAFCA awards, reinforcing his global acclaim as a leading filmmaker.
Bong Joon-ho's 'Mother' triumphed at the Green Planet Movie Awards, winning four honors, including Best Foreign Culture Film and Best International Director (Asia). The wins underscore Bong's rising global impact in filmmaking.
Bong Joon-ho's film 'Mother' won four awards at the Green Planet Movie Awards, including Best Foreign Culture Film and Best International Director (Asia), highlighting its success and his growing global acclaim.
Bong Joon-ho's 'Mother' swept the 2010 Asian Film Awards, winning Best Film and Best Screenplay, while Kim Hye-ja took Best Actress. This was Bong’s second Best Film win, cementing his status as a powerhouse in Asian cinema.
Bong Joon-ho's film 'Mother' earned nominations for best picture and best director at the 2010 Asian Film Awards, underscoring his impact on Asian cinema.
Bong Joon-ho's film 'Mother' won Best Film and Best Screenwriter at the fourth Asian Film Awards, with Kim Hye-ja earning Best Actress, further cementing Bong's status as a top Asian director.
Bong Joon-ho’s 'Mother' won Best Film at the 2009 Blue Dragon Awards and was named 2009’s best picture by the Korea Film Reporters Association, cementing his reputation as a visionary in Korean cinema. The dual honors underscored the film’s critical acclaim and lasting influence.
Bong Joon-ho's film 'Mother' winning Best Film at the Blue Dragon Awards reinforced his reputation as a masterful Korean filmmaker known for critically acclaimed storytelling.
Bong Joon-ho's critically acclaimed film 'Mother' was named 2009's best picture by the Korea Film Reporters Association and is set for release in Asia and Europe.
Bong Joon-ho won Best Film at the 2007 Asian Film Awards for 'The Host', his first major win at the event. The award highlighted his talent for blending commercial success with artistic vision, cementing his rising reputation.
Bong Joon-ho won his first major award at the Asian Film Awards for 'The Host,' marking his early success in blending commercial and artistic filmmaking.
In 2006, Lee Young-ae became the first Korean jury member at the Berlin Film Festival, paving the way for others like Bong Joon-ho in 2015. Her historic role marked a milestone for Korean representation in global cinema.
Actress Lee Young-ae broke ground as the first Korean jury member at the Berlin Film Festival, paving the way for Bong Joon-ho's later role and marking a key milestone for Korean representation.
Bong Joon-ho's 'The Host' won Best Film at the 2006 Blue Dragon Awards, cementing his status as a top South Korean director. This victory was a major career breakthrough for him.
Bong Joon-ho's early success with 'The Host' at the Blue Dragon Awards marked a major career milestone, cementing his status as a leading South Korean filmmaker.
Bong Joon-ho won Best Director at the 2003 San Sebastian Film Festival for 'Memories of Murder', cementing his global reputation as a visionary filmmaker. The award showcased his distinctive storytelling and directorial talent.
Bong Joon-ho's best director win at the San Sebastian Film Festival for 'Memories of Murder' launched his international acclaim and future success.
Park Chan-wook, a longtime collaborator of Bong Joon-ho, claimed the Cannes Grand Prix in 2003 for 'Oldboy', cementing their status as Korean cinema trailblazers. This triumph paved the way for Bong's later global breakthroughs with 'Parasite'.
Park Chan-wook and Bong Joon-ho, through their acclaimed films like 'Oldboy' and 'Parasite' and mutual support, have been instrumental in elevating Korean cinema's global prominence.
Bong Joon-ho won the Munich International Film Festival's novice director award in 2001 for his debut film 'Barking Dogs Never Bite', launching his acclaimed career. The honor highlighted his early talent on the global stage.
Bong Joon-ho's debut film 'Barking Dogs Never Bite' earned him the Munich International Film Festival's novice director award, launching his acclaimed international career.
Bong Joon-ho made history as the first filmmaker since 1955 to win top honors at both Cannes and the Oscars for the same film, 'Parasite', matching 'Marty''s rare achievement. This milestone highlighted his brilliance and the film's worldwide resonance, cementing its place in cinematic history.
Bong Joon-ho made history as the first filmmaker since 1955 to win both the Cannes top honor and the Oscars for the same film, "Parasite," showcasing his exceptional talent and the movie's global impact.
The Academy Museum of Motion Pictures debuted 'Director's Inspiration: Bong Joon-ho' (March 23, 2024–January 10, 2027), showcasing his iconic films like 'Parasite' and 'The Host' alongside a March–April 2024 screening series. This immersive exhibition highlighted Bong’s unique blend of social commentary and gripping storytelling.
The Academy Museum of Motion Pictures is hosting the exhibition 'Director's Inspiration: Bong Joon-ho' until January 10, 2027, highlighting his creative process and acclaimed films like 'Parasite', accompanied by a screening series from March 22 to April 14.
The Academy Museum of Motion Pictures' two-year exhibition 'Director's Inspiration: Bong Joon-ho' has ended, celebrating his legacy as a filmmaker merging social critique with storytelling.
Bong Joon-ho's curated film 'Eureka' and his own film 'The Host' were featured in the 'Carte Blanche' program at the Busan International Film Festival on September 17, 2025. This event underscores his influence as a curator and the lasting impact of his earlier work in contemporary film culture, reinforcing his status in Asian cinema post-Oscar success.
Bong Joon-ho's curated film 'Eureka' and his own film 'The Host' were screened in the 'Carte Blanche' program at the Busan International Film Festival, highlighting his role as a cultural curator, reinforcing his industry influence post-Oscar success, and showcasing the relevance of his earlier work.
Bong Joon-ho's 'Mickey 17' was overtaken at the box office by 'Yadang: The Snitch', shaking up South Korea's 2025 rankings. The shift underscores the fierce competition in the local film market.
Bong Joon-ho's 'Mickey 17' was outperformed at the South Korean box office by 'Yadang: The Snitch' in 2025.
Bong Joon-ho's 'Mickey 17' will premiere in the Special Gala section at the 75th Berlin International Film Festival, his first film since 'Parasite'—highlighting his continued influence on world cinema.
The 75th Berlin International Film Festival will feature Bong Joon-ho's 'Mickey 17' in its Special Gala section, marking his directorial return six years after 'Parasite' and showcasing his enduring global impact.
Bong Joon-ho's highly anticipated film 'Mickey 17' premieres in South Korea on Lunar New Year, marking his first project since 'Parasite'. Originally set for 2024, its release was delayed by Hollywood strikes.
Bong Joon-ho's highly anticipated film 'Mickey 17,' delayed by Hollywood strikes, will premiere in South Korea on Lunar New Year's Day, marking his post-'Parasite' return and showcasing his enduring industry impact.
Bong Joon-ho's 'Parasite' shattered records in France, drawing 259,737 viewers in its first week—the biggest debut ever for a South Korean film in the country, surpassing 'Snowpiercer'. The dark comedy-thriller continues its global dominance.
Bong Joon-ho's 'Parasite' broke the record for the highest first-week box office performance of a South Korean film in France, drawing 259,737 viewers and surpassing 'Snowpiercer.'
Bong Joon-ho's 'Parasite' competes at the 72nd Cannes Film Festival, his fifth film showcased there. The director, a rising force in global cinema, shares both excitement and nerves about the prestigious event.
The 72nd Cannes Film Festival features Bong Joon-ho's "Parasite," his fifth film at Cannes, highlighting his global cinematic influence as he shares mixed feelings about the competition.
Bong Joon-ho previewed 'Parasite' at a Seoul press conference, emphasizing its blend of Korean themes and global relatability before its Cannes debut. The film's unique storytelling captivated audiences worldwide.
Bong Joon-ho discussed 'Parasite''s Korean elements and universal appeal at a Seoul press conference, highlighting its Cannes selection and sharing his vision for the film.
Bong Joon-ho's 'Mickey 17' hit 3 million admissions in March 2024, dominating South Korea's box office for 10 straight days but falling short of 'Parasite''s success. Despite a modest $19.1 million U.S. debut, it became the first film by a Korean director to top the North American box office, cementing Bong's Hollywood influence. The release was later moved to April 18, 2024, to target Easter audiences.
Bong Joon-ho's highly anticipated film 'Mickey 17' will premiere in the Berlin Film Festival's Special Gala section, marking his directorial return six years after 'Parasite.'
"Mickey 17" premiered globally at the 75th Berlin International Film Festival, marking Bong Joon-ho's return to the international stage following "Parasite" and showcasing his ongoing impact in global cinema.
Bong Joon-ho denied that 'Mickey 17's antagonist was based on real figures like Trump or Mussolini during a Seoul press event.
"Mickey 17" is set to release in South Korea, reinforcing Bong Joon-ho's status as a leading auteur following its international premiere.
Bong Joon-ho's highly anticipated Hollywood film 'Mickey 17,' starring Robert Pattinson and blending sci-fi with social commentary on class and extreme working conditions, premiered in South Korea, marking his return five years after 'Parasite' and showcasing his ongoing global cinematic impact.
"Mickey 17" dominated South Korea's box office for 10 straight days, drawing over 2 million admissions and highlighting Bong Joon-ho's lasting popularity in his home country.
Bong Joon-ho's 'Mickey 17', delayed to 2025 due to Hollywood strikes, remains highly anticipated after his acclaimed 'Parasite'.
Bong Joon-ho's 'Mickey 17' became the first 2024 release to hit 3 million admissions in March but fell short of 'Parasite's' success, reflecting a sluggish month for major box-office hits.
Bong Joon-ho's 'Mickey 17' attracted over 1 million viewers in South Korea during the March 1 holiday, outperforming competitors and solidifying his directorial success.
"Mickey 17," starring Robert Pattinson and Steven Yeun and directed by Bong Joon-ho, his first major project since 'Parasite,' is set for a North American release followed by a Korean release, highlighting his continued global appeal post-'Parasite.'
"Mickey 17" made history as the first film by a Korean director to top the North American box office, though its $19.1 million opening weekend fell below expectations, raising financial concerns and marking a milestone for Bong Joon-ho despite falling short of financial projections.
The U.S. release date for 'Mickey 17' was strategically moved to align with the Easter holiday audience.
Bong Joon-ho returns with 'Mickey 17', his first film since 'Parasite', starring Robert Pattinson—a sci-fi story blending deep human emotions. Originally set for an earlier release, the film debuted at the Berlin Film Festival in February 2024 before hitting U.S. theaters on April 18. Bong discussed the project in Seoul, marking his first major public appearance for the film.
Bong Joon-ho's next project, announced after 'Parasite', is an adaptation of 'Mickey7', marking his third English-language film.
Bong Joon-ho is adapting 'Mickey7' into a film, likely starring Robert Pattinson, marking his return post-'Parasite' and continuing his trend of prominent English-language projects.
Despite completing post-production, 'Mickey 17' faced release delays due to a Hollywood strike, underscoring Bong's challenges without a confirmed new date.
Bong Joon-ho introduced his Hollywood debut sci-fi film 'Mickey 17' at a Seoul press conference, emphasizing its emotional depth and creative adaptation, drawing major media attention ahead of its release.
The Korean release of 'Mickey 17,' originally scheduled for an earlier date, is now expected to shift to April 2024.
The U.S. release of 'Mickey 17' was postponed to April 18, 2024.
Bong Joon-ho discussed the antagonist's inspiration during the 'Mickey 17' screening at the Berlin International Film Festival.
Netflix is producing 'Yellow Door', a documentary by Lee Hyuk-rae exploring Bong Joon-ho’s early career and his lost 1992 short film. Packed with original audience interviews, it delves into his creative origins, riding the wave of post-'Parasite' fascination with his work.
Netflix is producing a documentary exploring Bong Joon-ho's youth and his unreleased short film, delving into his early career following his Oscar win for 'Parasite.'
Netflix will release Lee Hyuk-rae's documentary "Yellow Door," exploring Bong Joon-ho's early career and his lost 1992 short film through interviews with original audience members.
Bong Joon-ho's 'Memories of Murder' (2003) was highlighted at the 24th Busan International Film Festival in the special program '10 Great Korean Films', celebrating its lasting impact on Korean cinema.
Bong Joon-ho's 'Memories of Murder' (2003) will be featured in the Busan International Film Festival's special program highlighting 10 great Korean films.
Bong Joon-ho’s 'Okja' premiered at Cannes in May 2023 before hitting Netflix and Korean theaters in June. The dual release showcased his global storytelling appeal and strengthened his partnership with Netflix.
Bong Joon-ho's film 'Okja' is set to premiere at the 70th Cannes Film Festival, showcasing his ongoing international success.
Bong Joon-ho's film 'Okja' premieres globally on Netflix and in South Korean theaters, showcasing his blend of Korean storytelling with international appeal and highlighting his growing influence in cinema.
After winning the Palme d'Or at Cannes, Bong Joon-ho's 'Parasite' debuted in South Korea on May 30, 2023, soaring to over 7 million admissions before slowing down. Its box office dominance cemented its local success.
Following its Palme d'Or win, Bong Joon-ho's 'Parasite' dominated South Korea's box office until surpassing 7 million admissions, after which its momentum slowed.
Bong Joon-ho's 'Parasite' premiered at Cannes on May 21, 2023, his fifth film at the festival and second in Palme d'Or contention. The director called the experience thrilling yet nerve-wracking, remaining humble about his chances.
Bong Joon-ho's 'Parasite' premiered at Cannes, marking his fifth film and second Palme d'Or competition entry, with him describing the festival as exciting yet tense while remaining modest about winning.
Bong Joon-ho made a high-profile return to public events at the 26th Busan International Film Festival, drawing over 1,200 attendees and highlighting cinema's post-pandemic revival. His red-carpet appearance and discussion with Ryusuke Hamaguchi underscored his industry influence, while the festival's smooth execution with minimal COVID-19 cases marked a successful comeback for large-scale cultural events.
Bong Joon-ho attended the Busan International Film Festival's opening ceremony, signaling the event's post-pandemic revival, and held a special discussion session with Ryusuke Hamaguchi, fostering international cinematic dialogue and underscoring his industry influence as part of BIFF's return to normal operations.
Bong Joon-ho attended the 26th Busan International Film Festival's in-person reopening, highlighting its importance for filmmakers and audiences with over 1,200 attendees.
Bong Joon-ho opened the 74th Cannes Film Festival in Korean, marking a milestone for Korean cinema and his own global influence. His historic moment at the Grand Théâtre Lumière underscored Korea's rising prominence in film.
Bong Joon-ho opened the 74th Cannes Film Festival in Korean at the Grand Theatre Lumiere.
Bong Joon-ho has finished the script for his new Korean-language film, signaling exciting progress after 'Parasite'. While production details are still under wraps, his latest project promises another creative triumph.
Bong Joon-ho has finished the screenplay for his new Korean-language film, advancing his post-'Parasite' work without revealing production details.
Bong Joon-ho’s 'Parasite' premiered in Japan on December 27, 2020, before expanding nationwide and becoming the highest-grossing Korean film in the country. Its success marked a major milestone in the film’s global acclaim.
"Parasite" debuted on three Japanese screens, quickly expanded nationwide the following month, and became the highest-grossing Korean film in Japan.
Bong Joon-ho's 'Parasite' premiered in the U.S. on October 11, 2020, debuting in New York and Los Angeles. It became the year’s highest-grossing foreign-language film in North America, earning $30.91 million.
Bong Joon-ho's 'Parasite' achieved major success in the U.S., becoming the year's top-grossing foreign language film after its North American release.
"Parasite" debuted in three U.S. theaters in New York and Los Angeles, leading to a strong North American box office performance with $30.91 million in earnings.
After winning the Palme d'Or, 'Parasite' is set for a U.S. drama series adaptation, announced on June 9, 2020. Director Bong Joon-ho, who previously adapted 'Snowpiercer', aims to expand the story in this new format.
Bong Joon-ho's acclaimed film 'Parasite' may be adapted into a U.S. drama series, marking his second U.S. project after 'Snowpiercer,' as he explores expanding the story in a series format.
Bong Joon-ho's black-and-white 'Parasite' premiered at Rotterdam and hit South Korean theaters in February 2020, highlighting his artistic vision. The revamped version, set for screenings in Vietnam, rode the wave of the film's Oscar success and Bong's rising global fame.
The black-and-white version of 'Parasite' will premiere at the International Film Festival Rotterdam, demonstrating Bong Joon-ho's artistic innovation, with a South Korean release following in late February.
The black-and-white version of 'Parasite,' meticulously refiltered by Bong Joon-ho and cinematographer Hong Kyung-pyo, will debut in South Korean theaters, further cementing Bong's global and domestic acclaim for creative storytelling.
A black-and-white version of 'Parasite' will be released internationally, including in Vietnam, leveraging its Oscar success and Bong Joon-ho's rising fame.
Bong Joon-ho addressed the future of South Korean cinema at a Seoul press conference on February 25, 2020, urging bold creativity after his historic Oscar wins. His remarks sparked industry-wide discussions on fostering innovative talent.
Following his Oscar wins, Bong Joon-ho emphasized the need for risk-taking to revitalize South Korean cinema, sparking debate about fostering similar talent in the industry.
Bong Joon-ho and President Moon Jae-in met at Cheong Wa Dae to address cinema screen monopolies and celebrate 'Parasite''s success, underscoring its influence on Korean cinema and the need for industry fairness.
Director Bong Joon-ho and President Moon Jae-in discussed combating screen monopolies and celebrated 'Parasite''s success during their meeting at Cheong Wa Dae.
Bong Joon-ho and the 'Parasite' team celebrated their historic Oscar wins at a Seoul press conference, reflecting on the film's global impact and challenges in competing with major studios. The director also expressed optimism for the future of South Korean indie cinema.
Bong Joon-ho and the 'Parasite' team held a Seoul press conference celebrating their Oscar wins, where they discussed the film's Oscar campaign, global impact, challenges of competing with major studios, and expressed optimism for South Korean indie films and Korean cinema.
'Parasite' topped Japan's box office on February 17, 2020, becoming the most-watched Korean film there in 15 years. Its success, fueled by Bong Joon-ho's Oscar wins, cemented its global influence.
"Parasite" debuted at fifth in Japan's box office on its opening day, with Point 1 noting it later rose to first place after its Oscar wins, showcasing its increasing popularity.
Bong Joon-ho's 'Parasite' dominated Japan's box office as the most-watched Korean film in 15 years, showcasing its global success and the director's international acclaim following its Oscar wins, after topping the weekend box office.
Bong Joon-ho introduced 'Parasite' at a London preview, highlighting its global reach ahead of its UK release. The film's later Oscar wins only boosted its international acclaim.
Bong Joon-ho attended and promoted 'Parasite' at a preview event at London's Curzon Mayfair theater, boosting its popularity before its British release and eventual Oscar success.
HBO announced a TV series adaptation of Bong Joon-ho's 'Parasite' on January 10, 2020, with Bong as executive producer. The project's details were postponed until after the Academy Awards to capitalize on the film's Oscar momentum.
HBO is developing a TV series adaptation of Bong Joon-ho's 'Parasite,' with Bong as executive producer, expanding the film's reach to television, and more details will follow after the Academy Awards.
The HBO 'Parasite' series details will be finalized post-Oscars to strategically capitalize on the film's awards potential, influencing its direction and reception.
"Parasite" made history in October 2019, becoming the highest-grossing Korean film in the U.S. with over $23 million, fueled by Bong Joon-ho’s strategic Oscar-season release and promotional tour. Its success continued, earning over $300 billion worldwide and culminating in historic Oscar wins, cementing its place as a global phenomenon. The film’s North American expansion, including a 1,060-theater release in early 2020, solidified its record-breaking run.
"Parasite" became the highest-grossing Korean film and most popular subtitled film in the U.S., earning over $23 million and solidifying Bong Joon-ho's mainstream American appeal while boosting its awards season prospects.
Bong Joon-ho's 'Parasite' debuted in the U.S. on October 11, 2019, strategically timed for Oscar season, elevating his global profile and box office success while positioning the film as an Oscar contender.
Bong Joon-ho's U.S. promotional tour for 'Parasite,' the first Korean Palme d'Or winner, contributed to BIFF's reduced buzz due to his absence.
"Following its Golden Globe win, 'Parasite' expanded to 1,060 North American theaters and became the seventh highest-grossing foreign language film in the region."
Bong Joon-ho finished the script for his CGI animation about humans and deep-sea creatures in January 2020. The project, expected after his next English-language film, hit a key production milestone.
Bong Joon-ho completed the script for his CG animation about humans and deep-sea creatures, marking a key project milestone ahead of its post-English film release.
'Parasite' was screened at the Busan International Film Festival (BIFF) on October 3, 2019, showcasing its success after the Cannes Palme d'Or win and its popularity in South Korea. The festival provided a platform to reach a broader audience, reinforcing the film's cultural impact and Bong Joon-ho's rising global acclaim.
Bong Joon-ho's film 'Parasite' was screened at the Busan International Film Festival, highlighting its post-Cannes success and popularity in South Korea, and expanding its audience reach.
"Parasite" dazzled at France's Lumiere Film Festival in October 2019, cementing its global reputation with its genre-defying brilliance. The invitation highlighted the film's growing international acclaim and captivated audiences anew.
"Parasite" was showcased at France's Lumiere Film Festival, where its unique mix of comedy and thriller genres was celebrated, highlighting its ongoing global acclaim and offering further critical and audience recognition.
In August 2019, 'Parasite' was invited to the Locarno Film Festival, boosting its global acclaim ahead of its historic Oscar wins. Bong Joon-ho and Song Kang-ho discussed the film at the event, with their conversation later streamed in 2020 during the We Are One festival.
At the Locarno Film Festival in August 2019, 'Parasite' was showcased, cementing its global success and gaining international acclaim, while Bong Joon-ho and Song Kang-ho discussed the film, foreshadowing its Oscar success, with their conversation set to stream in June 2020 during the We Are One festival.
In August 2019, Bong Joon-ho launched 'Parasite'’s U.S. Oscar campaign with Neon, Barunson E&A, and CJ ENM, driving its historic wins through strategic promotions like screenings and interviews.
Bong Joon-ho's U.S. Oscar campaign for 'Parasite', involving strategic collaborations and promotions, resulted in the film's historic Academy Award victories.
In July 2019, Bong Joon-ho's 'Parasite' surpassed 10 million admissions in South Korea, becoming his second film to achieve this milestone after its Palme d'Or win at Cannes. This success foreshadowed its historic 2020 Oscar wins, proving that critically acclaimed films can also be commercial hits. The film shattered stereotypes and elevated Korean cinema on the global stage.
Bong Joon-ho's Oscar-winning film 'Parasite' achieved a major milestone by selling 10 million tickets in South Korea, cementing its cultural and commercial success before its historic 2020 Oscar wins.
Bong Joon-ho's 'Parasite' achieved 10 million admissions in South Korea, his second film to do so following its Palme d'Or win at Cannes, cementing his success in Korean cinema and proving Cannes-winning films can achieve commercial success, marking a milestone for Korean and global cinema.
"Parasite" expanded its global reach with an Australian release announced on June 27, 2019, following its acclaimed festival success. Details about the local reception weren't yet available.
"Parasite" is set for release in Australia after its acclaimed festival success.
In June 2019, the Munich International Film Festival honored Bong Joon-ho with a retrospective of his films like 'Barking Dogs Never Bite' and 'Snowpiercer', celebrating his career while 'Parasite' competed for the top prize. The event highlighted his cinematic evolution and global influence.
The Munich International Film Festival honored Bong Joon-ho's influential career with a retrospective showcasing his films, including 'Barking Dogs Never Bite,' 'Snowpiercer,' and 'Parasite,' which was competing for the top prize.
"Parasite" premiered in Vietnam on June 21, 2019, breaking records as the highest-grossing South Korean film in the country. The film dominated the box office in its debut week, cementing Bong Joon-ho's global acclaim.
"Bong Joon-ho’s 'Parasite' became Vietnam’s highest-grossing South Korean film, dominating the box office and marking a major milestone in his international success."
Bong Joon-ho’s 'Parasite' shattered South Korean box office records, drawing 1.12 million viewers on its opening day (June 1, 2019) and surpassing 8 million admissions in just 17 days—outpacing his previous hit 'The Host'. The film’s historic Palme d’Or win and English-subtitled screenings further fueled its global appeal, cementing its status as a cultural phenomenon.
Bong Joon-ho's 'Parasite,' highly anticipated after its Cannes Palme d'Or win, achieved a strong box office debut in South Korea with 568,000 viewers on its first day and record presale tickets, bolstering his reputation as a top filmmaker with its unique mix of suspense, horror, and humor.
Bong Joon-ho's 'Parasite' drew 1.12 million viewers, setting a record for the highest daily attendance of a Korean film at the time.
"Bong Joon-ho's 'Parasite' achieved massive success in South Korea, surpassing 3 million admissions in just four days due to its unexpected plot, genre mix, and widespread popularity."
"Bong Joon-ho's 'Parasite' is now screening with English subtitles in South Korean theaters to meet foreign demand, showcasing its global popularity after winning the Palme d'Or."
"Parasite" reached 5 million admissions in just eight days, showcasing its rapid success and widespread popularity.
"Parasite" reached 8 million admissions in South Korea within 17 days, outpacing Bong Joon-ho's "The Host" and nearing the rare 10 million milestone.
"Parasite" premiered in France on June 5, 2019, quickly becoming the most-watched Korean film in the country with over 1.5 million viewers. Its success cemented Bong Joon-ho's status as a global cinematic powerhouse.
On June 5, 2019, Bong Joon-ho's Parasite achieved record-breaking commercial success in France, attracting over 1.5 million viewers and becoming the most-watched Korean film in the country, cementing his global acclaim.
After winning the Palme d'Or, 'Parasite' screened at the 2019 Munich International Film Festival, boosting its global recognition and Bong Joon-ho's rising influence. The event expanded the film's reach to European audiences, reinforcing its international acclaim.
"Parasite" gained further international recognition and showcased its global acclaim after being featured at the Munich International Film Festival, expanding its European audience reach following its Palme d'Or victory and highlighting Bong Joon-ho's rising influence.
Bong Joon-ho's 'Parasite' premiered at the 2019 Cannes Film Festival, earning an eight-minute standing ovation and later winning the Palme d'Or. The film’s stark portrayal of class disparity, symbolized by semi-basement apartments and staircases, solidified Bong’s global acclaim. The festival ran from May 14-25, marking a triumphant showcase for his work.
The Cannes Film Festival included Bong Joon-ho's Korean-language film 'Parasite' in its 2019 competition lineup, marking his second Palme d'Or nomination and reinforcing his global reputation.
The 72nd Cannes Film Festival, running until May 25, 2019, featured Bong Joon-ho's 'Parasite' in competition.
Bong Joon-ho's 'Parasite' premiered at Cannes with an eight-minute standing ovation, highlighting his social hierarchy themes and marking his second Palme d'Or bid after 'Okja', while garnering acclaim for its narrative and commentary.
At the 72nd Cannes Film Festival, Bong Joon-ho discussed the symbolism of stairs and semi-basements in 'Parasite', reinforcing his reputation as a director deeply engaged with social issues.
Bong Joon-ho explained the symbolic use of semi-basement apartments in 'Parasite' at Cannes, emphasizing class disparity, before the film won the Palme d'Or and boosted his global acclaim.
The 72nd Cannes Film Festival concluded, marking the end of Bong Joon-ho's competition with 'Parasite' and its potential impact on his career.
Bong Joon-ho's 'Memories of Murder' was featured at the 43rd Hong Kong International Film Festival, celebrating 100 years of Korean cinema. The festival wrapped up on April 1, 2019.
Bong Joon-ho's 'Memories of Murder' is being screened at the 43rd Hong Kong International Film Festival to mark the 100th anniversary of Korean cinema.
The 43rd Hong Kong International Film Festival concluded, marking the end of screenings for Bong Joon-ho's 'Memories of Murder'.
Bong Joon-ho’s 'Parasite' (2019) made history, winning the Palme d’Or and an Oscar while grossing $260 million—elevating Korean cinema globally and sparking an HBO adaptation. Its cultural impact extended beyond film, with props like Bahk Jong-sun’s table featured at Milan Design Week. The success also boosted careers, from Song Kang-ho’s Cannes Best Actor win to setting high expectations for Bong’s future projects like 'Mickey 17'.
Bong Joon-ho's Oscar-winning film 'Parasite,' with Hong Kyung-pyo as cinematographer, achieved global acclaim, winning the Palme d'Or and multiple Oscars, solidifying Bong's reputation as a top filmmaker, highlighting Hong's praised visual style, and leading to future projects like an HBO series adaptation.
Bong Joon-ho's Oscar-winning film 'Parasite', featuring a table by Bahk Jong-sun, gained lasting cultural influence and recognition as the table was exhibited at Milan Design Week 2021.
Bong Joon-ho's 'Parasite', starring Song Kang-ho, won the Palme d'Or at Cannes in 2019, elevating his international acclaim, advancing global recognition of Korean cinema, and contributing to Song Kang-ho's subsequent career achievements including his 2022 Best Actor win.
Bong Joon-ho's film 'Parasite' was assisted by Kim Sung-sik as director.
Bong Joon-ho's 'Parasite' became the highest-grossing South Korean film in the U.S. until surpassed by 'The King of Kings' in 2024, marking a milestone for Korean cinema.
Bong Joon-ho's film 'Parasite' was featured in the Special Presentations section of the Toronto International Film Festival, contributing to its global recognition and preceding its historic Oscar wins.
Bong Joon-ho's film 'Parasite' was featured in the Special Presentations section of the Toronto International Film Festival, marking a milestone in his career and contributing to its global recognition.
In 2018, Bong Joon-ho launched an animated project about human-deepwater creature dynamics, signaling a fresh creative shift. By January, the scenario was complete.
Bong Joon-ho initiated an animation project about humans and deepwater creatures, completing its scenario by January following his earlier successes.
'"Okja" premiered globally on Netflix on June 28, 2017, followed by a theatrical release in South Korea—though major cinemas boycotted it due to the simultaneous streaming launch. Despite limited screens, the film ranked fourth at the box office, later surpassing 300,000 ticket sales, highlighting tensions between theaters and streaming platforms. The controversy underscored Bong Joon-ho's influence and Netflix's disruptive approach to film distribution.'
Netflix released Bong Joon-ho's 'Okja' in 190 countries, including the U.S., after its Cannes premiere, with a theatrical release in South Korea, amid controversy over streaming holdbacks that reflected clashes between traditional and digital distribution models.
Despite a boycott by major cinema chains over its Netflix release, Bong Joon-ho's 'Okja' debuted fourth at the South Korean box office with 23,106 viewers on June 29, 2017, highlighting his industry influence after extensive distribution negotiations and underscoring tensions between theaters and streaming platforms.
Bong Joon-ho's film 'Okja' premiered globally on Netflix and in South Korean theaters but was illegally leaked the same day, prompting a Netflix investigation.
Bong Joon-ho's 'Okja' drew 88,455 viewers in its limited theatrical release, hindered by cinema chains boycotting its Netflix debut, underscoring the clash between traditional theaters and streaming platforms.
Bong Joon-ho's 'Okja' ranked fourth in South Korea's box office with 10,080 viewers.
Bong Joon-ho’s 'Okja' premiered at the 2017 Cannes Film Festival, marking his first competition entry and Netflix’s debut in the lineup, despite controversy over streaming films. The film, blending satire and spectacle, earned a standing ovation and global attention before its Netflix release in June. Its innovative distribution strategy highlighted Bong’s versatility and the evolving landscape of cinema.
Netflix debuted the global teaser trailer for Bong Joon-ho's anticipated film 'Okja,' sparking excitement for its unique plot and star-studded cast.
Bong Joon-ho's 'Okja' debuted internationally at the 70th Cannes Film Festival in May 2017, marking a milestone as one of the first Netflix films in the lineup and boosting the director's global acclaim, though the festival later banned streaming-only movies and the film faced screening difficulties in South Korea.
Bong Joon-ho's Netflix film 'Okja' premiered at Cannes, marking a thrilling yet nerve-wracking milestone in his acclaimed career as his first entry in Cannes' official competition and the first Netflix original to compete, which he described as an emotional honor.
Netflix released the main trailer for Bong Joon-ho's 'Okja,' highlighting the titular character, star-studded cast, and visuals ahead of its Cannes Film Festival debut.
Bong Joon-ho's 'Okja,' Netflix's first Cannes competition entry, explored humanity and capitalism amid technical issues and mixed reviews at its debut.
Bong Joon-ho's film 'Okja' premiered at Cannes to a four-minute standing ovation, earning widespread praise for its screenplay and blend of humor and political commentary, solidifying his global acclaim.
Bong Joon-ho's 'Okja' marked a career milestone by merging traditional cinema with Netflix's streaming platform, debuting simultaneously in Korean theaters and on Netflix in June 2017, highlighting its groundbreaking distribution approach and showcasing his rising influence, star power, and acclaimed reputation.
"Bong Joon-ho's film 'Okja' will have a South Korean theatrical release in June, following his success with 'Snowpiercer'."
Bong Joon-ho's 'Okja' debuted globally on Netflix, expanding his international audience and highlighting his partnership with the platform, showcasing his rising influence and potential simultaneous South Korean release.
Bong Joon-ho's Netflix-released film 'Okja', featuring Byun Hee-bong, showcased his versatility and global appeal, reinforcing his prominence in international cinema.
Netflix invested $50 million in Bong Joon-ho’s 'Okja', granting him creative freedom for the 2017 production filmed in South Korea and New York. Starring Jake Gyllenhaal and Tilda Swinton, the film marked Netflix’s early push into Korean collaborations before shifting to local originals. Its success reinforced Bong’s reputation as an innovative director and paved the way for future partnerships.
Netflix invested $50 million in Bong Joon-ho's 2017 film 'Okja', covering all production costs and granting him greater creative freedom than his previous project 'Snowpiercer'.
Filming of 'Okja' was planned to take place in South Korea and New York.
Bong Joon-ho's partnership with Netflix for 'Okja' showcased his innovative approach and adaptability in the evolving film industry.
Netflix announced a $50 million investment in Bong Joon-ho's film 'Okja'.
Netflix's 2017 film 'Okja', directed by Bong Joon-ho and filmed in South Korea and New York, marked an early high-profile international collaboration featuring stars like Jake Gyllenhaal and Tilda Swinton, generating significant anticipation as one of the company's first major U.S. productions with a Korean director before shifting to local Korean original content in 2021.
Bong Joon-ho’s 'Okja', a Netflix-funded film, sparked controversy at Cannes—leading to rule changes—while highlighting his global appeal and social commentary. Its selection, alongside another Korean film, marked a milestone for Korean cinema and foreshadowed Bong’s later success with 'Parasite'. The film also signaled Netflix’s push into international productions, elevating Korean storytelling on a global stage.
Bong Joon-ho's film 'Okja' competed for the Palme d'Or at the 2017 Cannes Film Festival, marking his first time in contention for the prestigious award, extending South Korea's three-year Cannes competition streak following Park Chan-wook's 2016 entry 'The Handmaiden,' and furthering his international acclaim.
Bong Joon-ho's 'Okja', a big-budget multinational Netflix film produced by Plan B Entertainment, closed the Sydney Film Festival in 2017, showcasing his global acclaim and enhancing his reputation as a leading international director before 'Parasite'.
Bong Joon-ho's Netflix film 'Okja,' an early example of the platform's original productions (produced in the U.S.), foreshadowed Netflix's later emphasis on Korean content and film lineup.
TBS will adapt Bong Joon-ho’s 'Snowpiercer' into a U.S. TV series, marking the director’s first foray into American television after initial delays. The show revives his dystopian thriller for the small screen.
The U.S. drama adaptation of Bong Joon-ho's 'Snowpiercer,' his first foray into American television, experienced delays before TBS picked it up.
Bong Joon-ho conceived 'Parasite' in 2015, expanding its plot from two families to three in one house—laying the groundwork for its layered story. While Bong worked on 'Okja' (2017), Han Jin-won penned the screenplay.
Bong Joon-ho expanded 'Parasite's' plot from two to three families before Han Jin-won drafted the screenplay while Bong focused on 'Okja'.
Bong Joon-ho joined the New Currents jury at the 19th Busan International Film Festival, backing rising Asian talent. His participation reinforced his ongoing commitment to the region's film scene.
Bong Joon-ho attended the 19th Busan International Film Festival in October 2014, serving as a juror for the New Currents section to support emerging Asian filmmakers and underscore his active participation in major Asian film events.
"Roaring Currents" dethroned "The Host" as South Korea's most-watched domestic film, breaking Bong Joon-ho's eight-year record. This historic shift showcases the vibrant competition in Korean cinema.
"Roaring Currents" broke "The Host's" eight-year record to become South Korea's most-watched domestic film, marking a historic box-office milestone.
Bong Joon-ho's 'Snowpiercer' expanded to 250 North American theaters—a 30-fold increase—showcasing its rising success and critical acclaim. The strategic rollout boosted the director's international profile, backed by glowing reviews from outlets like 'The New York Times'.
Bong Joon-ho's 'Snowpiercer' made its English-language debut with a strategic limited release in eight North American theaters, marking his first major entry into the English-language film market, which could significantly enhance his global profile given its strong performance in China and other regions.
"Snowpiercer" expanded to 250 North American theaters, a 30-fold increase driven by positive reviews from major outlets like The New York Times, marking a significant success for Bong Joon-ho.
Bong Joon-ho's 'Snowpiercer' is heading to mainland Chinese theaters, pending approval from local censors. The release marks another step in the film's global expansion.
Bong Joon-ho's 'Snowpiercer' is set for a mainland China theatrical release after its South Korean success, pending potential censorship edits.
Bong Joon-ho's English debut 'Snowpiercer' premiered at the 2014 Berlin Film Festival, boosting his global acclaim and paving the way for his 2015 jury role. The dystopian thriller further cemented his reputation as a visionary filmmaker.
Bong Joon-ho's 'Snowpiercer' boosted his global recognition at the Berlin Film Festival, leading to his 2015 jury selection.
Bong Joon-ho championed fair labor practices in South Korea's film industry, pushing for stricter overtime rules and an end to unpaid wages. His efforts aimed to improve working conditions for industry professionals.
Bong Joon-ho led initiatives to enforce overtime and wage regulations in South Korea's film industry.
Bong Joon-ho's English-language debut 'Snowpiercer' shattered South Korean box office records in 2013, surpassing 5 million viewers in just nine days and eventually reaching over 8 million. The film's international rollout, including screenings at the Busan Film Festival and strong openings in France and other markets, solidified Bong's global reputation. Its success outpaced major hits like 'The Host' and 'Iron Man 3', proving his crossover appeal.
Bong Joon-ho's first English-language film, 'Snowpiercer', debuted in South Korea and later gained international acclaim, particularly in France.
"Bong Joon-ho's 'Snowpiercer' broke records by surpassing 1 million viewers in two days, marking the fastest weekday sales achievement, and is projected to reach 2 million by the weekend."
Bong Joon-ho's 'Snowpiercer' broke local box office records by attracting over 2.5 million viewers in its first four days and surpassing 3 million viewers in five days, solidifying his global reputation and highlighting the film's exceptional success.
Bong Joon-ho's English debut 'Snowpiercer' broke South Korean box office records by surpassing 4 million viewers in just seven days, with CJ Entertainment expecting sustained success.
Bong Joon-ho's 'Snowpiercer' drew over 5 million viewers in South Korea, showcasing his global appeal, with expectations to reach 7 million soon.
Bong Joon-ho discussed his creative adaptation process for 'Snowpiercer' with the original authors of 'Le Transperceneige', highlighting his filmmaking approach and audience reception.
Bong Joon-ho's 'Snowpiercer' attracted over 8 million viewers in 19 days, outpacing major hits and cementing his global influence.
"Bong Joon-ho's 'Snowpiercer' launched internationally in France before expanding to 10 other countries, including Taiwan, Japan, and Italy."
Bong Joon-ho's acclaimed film 'Snowpiercer' was showcased at the 18th Busan International Film Festival, highlighting its success and inclusion in the major event running until October 12, 2013, underscoring his influence in Korean cinema.
The 18th Busan International Film Festival concluded, showcasing Bong Joon-ho's 'Snowpiercer' to a wider audience without mentioning any follow-up plans.
Bong Joon-ho's 'Snowpiercer' debuted strongly in France, attracting 192,132 viewers in five days—outperforming 'The Host'—ranking second among new releases on roughly 300 screens.
Bong Joon-ho's 'Snowpiercer' premiered in France on October 30, 2013, drawing 330,000 viewers—setting a new record as the highest-grossing Korean film in the country, surpassing 'Chihwaseon'. This triumph cemented Bong's global acclaim.
"Snowpiercer" broke records as the highest-grossing Korean film in France, attracting 330,000 viewers and marking a major milestone in Bong Joon-ho's international career.
Bong Joon-ho's 'Snowpiercer' was featured in the Gala Presentation section at the Busan International Film Festival, highlighting his status as a key South Korean director and boosting his profile in the Asian film industry.
Bong Joon-ho's 'Snowpiercer' was presented in the Gala Presentation section at the Busan International Film Festival, underscoring his prominence in South Korean cinema and enhancing his visibility in Asia.
Bong Joon-ho's English-language debut 'Snowpiercer' premiered in Seoul in July 2013 before its South Korean release, becoming a box office hit with over 9 million viewers. The sci-fi thriller, starring Song Kang-ho and shot by Hong Kyung-pyo, showcased Bong’s global appeal and innovative storytelling, foreshadowing his later success with 'Parasite'. Its pre-sales to 167 countries and critical acclaim cemented Bong’s rise as a major international director.
Bong Joon-ho's critically acclaimed first major English-language film 'Snowpiercer', starring Song Kang-ho and shot by cinematographer Hong Kyung-pyo, was released in 2013, marking a career milestone and showcasing earlier collaborations.
Bong Joon-ho's 'Snowpiercer' was featured in the Berlin International Film Festival's Forum section, highlighting its bold storytelling and continuing Korea's tradition of festival recognition.
Bong Joon-ho discusses his 2013 film 'Snowpiercer', its international reach, his directorial approach, and the growing influence of Korean filmmakers on global cinema.
Bong Joon-ho's English debut film 'Snowpiercer' premiered in Seoul, drawing global attention and featuring American stars to boost its promotion.
Bong Joon-ho's English-language debut film 'Snowpiercer' was a major commercial success in South Korea, drawing over 8.8 million viewers and contributing to record-breaking box office numbers for Korean films in August 2013.
In August 2013, Bong Joon-ho's English-language debut 'Snowpiercer' premiered globally with strong international pre-sales and achieved commercial success in South Korea, attracting 9.34 million viewers, highlighting its widespread appeal and the director's crossover success through a blend of international talent and unique storytelling.
"Bong Joon-ho's English debut 'Snowpiercer' premiered in local theaters, showcasing his global filmmaking shift and drawing 1.03 million viewers by the next day."
Bong Joon-ho led the jury at the 67th Edinburgh Film Festival, underscoring his global cinematic impact. The event also spotlighted Korean cinema, reflecting its growing international appeal.
Bong Joon-ho chaired the 67th EIFF jury, highlighting his global cinematic influence and Korean cinema's prominence at the festival.
Bong Joon-ho's 'The Host' became Korea's most-viewed film with 13.01 million admissions by March 15, 2013, cementing its cultural impact. The milestone, confirmed by KOFIC, showcased its massive popularity.
Bong Joon-ho's 'The Host' is the most-viewed Korean film, attracting 13.01 million viewers.
Bong Joon-ho’s 'Snowpiercer' (2013) catapulted him to global fame, becoming the first South Korean film sold to 167 countries and later inspiring a TV adaptation. This French-Korean co-production, praised as a model of cultural collaboration, blended artistic vision with commercial success, cementing Bong’s status as a world-class filmmaker. His Hollywood debut also showcased his ability to unite diverse talents, further expanding his international reach.
Bong Joon-ho's first English-language film, 'Snow Piercer', is nearing completion as it enters post-production, marking his expansion into international filmmaking ahead of its Korean release the following year.
The Weinstein Company acquired the English-language distribution rights for 'Snowpiercer,' enabling Bong Joon-ho's global reach and Hollywood market entry.
Bong Joon-ho's 'Snowpiercer' surpassed his earlier hit 'The Host' by attracting 1 million viewers two days faster, showcasing his consistent commercial success.
The Weinstein Company secured the English-language rights to Bong Joon-ho's 'Snow Piercer,' underscoring his rising global cinematic influence while awaiting release plans for English-speaking markets.
Bong Joon-ho's film 'Snowpiercer,' a South Korea-France co-production based on the French graphic novel 'Le Transperceneige,' screened internationally in 2013, marking a career milestone by expanding his global reach while maintaining his artistic vision. The film was praised by the French Culture Minister as a successful model for future collaborations.
Bong Joon-ho’s 2013 Hollywood debut 'Snowpiercer', starring Chris Evans and Tilda Swinton, blended social commentary with genre thrills, earning global acclaim and record-breaking box office success in France and the U.S. Adapted from a French graphic novel, the film expanded Bong’s international appeal and later inspired a hit TV series, renewed for a fourth season. Its enduring popularity underscores Bong’s ability to resonate with worldwide audiences.
Bong Joon-ho's 2013 film 'Snowpiercer,' starring Song Kang-ho and adapted from the French graphic novel 'Le Transperceneige', marked his successful Hollywood debut and transition to international filmmaking, earning critical acclaim and highlighting his talent for transforming international works into acclaimed cinema for a wider global audience.
Bong Joon-ho and Darcy Paquet translated 'Snowpiercer's' screenplay into English, enhancing its appeal to English-speaking audiences and aiding its global success.
Bong Joon-ho's 'Snowpiercer' was the highest-grossing South Korean film in France during its first week with 235,371 viewers and held the record for most-watched Korean film in France with approximately 680,000 total admissions until surpassed by 'Parasite' in 2019.
Bong Joon-ho's film 'Snowpiercer' was adapted into a TNT TV series, premiering in spring 2020, marking his first U.S. television adaptation. The series proved successful and was recently renewed for a fourth season, demonstrating the enduring influence of his original film.
Bong Joon-ho conceived 'Parasite' in 2013, drawing from his time as a tutor to craft a story about two families from opposing social classes. The idea took shape during 'Snowpiercer''s post-production and later became his Cannes-nominated masterpiece.
In 2013, Bong Joon-ho conceived and developed the initial idea for 'Parasite' during 'Snowpiercer's post-production, drawing from his tutoring experiences to create the story of two socially disparate families, which later became the acclaimed film that earned a Cannes nomination.
In 2013, Bong Joon-ho unveiled a black-and-white remaster of his 2009 thriller 'Mother', foreshadowing his later monochromatic 'Parasite' version. The remaster was released only as a limited Blu-ray edition, restricting its accessibility.
Bong Joon-ho showcased a black-and-white remaster of his 2009 film 'Mother' at a festival, hinting at his later work on 'Parasite's monochromatic version, though it was only released on Blu-ray.
Bong Joon-ho's 'The Host 3D' premiered at the 2011 Busan International Film Festival, highlighting his global acclaim alongside other top directors. The Gala Presentation screening on October 6 reinforced his cinematic influence.
Bong Joon-ho's 'The Host 3D' was featured in the Busan International Film Festival's Gala Presentation, underscoring his global cinematic influence.
In 2011, Bong Joon-ho joined the Sundance Film Festival jury, cementing his status as a globally respected filmmaker. His role showcased his influence in both Korean and international cinema.
Bong Joon-ho reinforced his global filmmaking stature by serving as a Sundance Film Festival juror, which showcased 118 films and premiered 92 movies.
Bong Joon-ho’s 2009 thriller 'Mother' premiered at Cannes to critical acclaim, earning praise as a "Hitchcockian" masterpiece and solidifying his global reputation. The film’s success led to nominations and awards, including LAFCA recognition, while its themes of madness and horror showcased Bong’s versatility. Screened at festivals like Rotterdam, 'Mother' expanded his international reach, further establishing him as a leading auteur.
Bong Joon-ho's Hitchcockian thriller 'Mother', exploring human madness and horror, was invited to Cannes' 'Un Certain Regard' section, earning acclaim that boosted his reputation, cemented his status as a versatile auteur, and led to an Asian Film Awards nomination.
Bong Joon-ho and Park Eun-kyo collaborated on the thriller 'Mother', and their partnership is now shaping Park's work on Netflix's 'The Silent Sea'.
Bong Joon-ho's film 'Mother' will expand his international acclaim with its upcoming release across Asia and Europe.
Bong Joon-ho's film 'Mother' screened at the 2010 Rotterdam International Film Festival's Spectrum section, boosting his global recognition.
Bong Joon-ho's acclaimed film 'Mother' concluded its screening at the International Film Festival Rotterdam, underscoring his rising global cinematic influence.
Bong Joon-ho's 2010 encounter with a wild animal sparked 'Okja', a satirical adventure exploring human-animal bonds across Korea and New York. The film evolved from this personal moment into a globe-trotting tale.
Bong Joon-ho's film 'Okja', inspired by a wild animal sighting, explores human-animal relationships through a satirical adventure from rural Korea to New York.
Bong Joon-ho's film 'Mother' was showcased in the Special Presentations section of the Toronto International Film Festival in 2009. This screening helped solidify his reputation as a leading figure in Korean cinema. The film received critical acclaim and further established his international presence.
Bong Joon-ho's film 'Mother' was showcased in the Special Presentations section of the Toronto International Film Festival. This screening helped solidify his reputation as a leading figure in Korean cinema. The film received critical acclaim and further established his international presence.
Bong Joon-ho's anthology film 'Tokyo!' premiered at the 2008 Cannes Film Festival, reinforcing his global reputation and directorial range. It marked another successful entry in his string of Cannes appearances.
Bong Joon-ho's anthology film 'Tokyo!' premiered at Cannes in 2008, enhancing his international reputation, demonstrating his directorial versatility, and continuing his festival streak.
Bong Joon-ho’s 2006 hit 'The Host' became South Korea’s highest-grossing film at the time, surpassing 10 million admissions and launching his international acclaim, including recognition at Cannes. The film’s success—bolstered by stars like Song Kang-ho and Park Hae-il—set the stage for 'Parasite', which later eclipsed its box office records. Cementing Bong’s reputation, 'The Host' remains a landmark in Korean cinema, blending social commentary with genre thrills.
Bong Joon-ho's 'The Host', starring Byun Hee-bong, became a global hit, exceeding 10 million admissions in South Korea (his first film to do so), cementing his status as a leading director, boosting his international fame, and earning Byun the Best Supporting Actor award at the 27th Blue Dragon Awards, setting a benchmark for 'Parasite's' success.
Bong Joon-ho's 'Parasite' is surpassing his earlier hit 'The Host' in admissions, marking even greater success in his career.
Bong Joon-ho's 'Parasite' surpassed his earlier success with 'The Host,' which earned $92.6 million worldwide, solidifying his reputation as a top filmmaker.
Bong Joon-ho gained initial recognition in France when his film 'The Host' premiered at Cannes, endearing him to French audiences.
Kim Jung-man designed posters for Bong Joon-ho's film 'The Host', showcasing Bong's growing influence in cinema.
Bong Joon-ho's 'The Host' became a top 10 foreign film in North America, marking a major milestone for Korean cinema that wasn't matched for another eight years.
In 2007, South Korea and France signed a film collaboration agreement, paving the way for co-productions like 'Snowpiercer'. The French Culture Minister highlighted the deal as a milestone for cultural exchange, with plans to expand it further.
South Korea and France signed a memorandum of understanding to boost film collaboration, enabling projects like 'Snowpiercer,' with plans to update the agreement for enhanced cultural exchange.
Bong Joon-ho's 'The Host' broke South Korean box office records, drawing 450,000 viewers on opening day and surpassing 13 million total—a historic milestone. Its Cannes premiere at Directors' Fortnight marked Bong and star Song Kang-ho's international breakthrough, launching their acclaimed partnership. The film's success cemented Bong's reputation as a master of blending satire with blockbuster appeal.
Bong Joon-ho's monster blockbuster 'The Host' drew 450,000 viewers on its South Korean opening day, becoming one of the country's highest-opening and highest-grossing films, cementing his influence in Korean cinema, marking a career turning point with its environmental themes, and debuting at Cannes' Directors' Fortnight.
Bong Joon-ho's 'The Host' became a record-breaking box-office hit in South Korea in 2006, reaching 10 million viewers in just 21 days (outpacing 'Avatar') and ultimately drawing 13 million viewers, setting a high benchmark for blockbusters and cementing his status as a top director.
Bong Joon-ho's 2006 film 'The Host' set a Korean box office record with 3.19 million viewers in six days and became the most popular Korean movie at the time with over 13 million total viewers, cementing his directorial reputation until 'The Thieves' surpassed it in 2012.
Bong Joon-ho's film 'The Host', featuring Song Kang-ho, boosted the Korean film industry to a peak of 97.9 million viewers, showcasing his influence before reckless investments led to challenges.
Bong Joon-ho's 'The Host' became the most-viewed Korean film by drawing 5.71 million viewers in 11 days, cementing his directorial acclaim and rivaling 'Iron Man 3''s 2013 success.
Bong Joon-ho's 'The Host' achieved success in France with 159,000 viewers, later surpassed by his 2013 film 'Snowpiercer'.
Bong Joon-ho's acclaimed monster film 'The Host' impressed Shinji Higuchi with its realistic creature design, highlighting Bong's distinctive style and influence on the genre.
Bong Joon-ho gained his first major international recognition at Cannes with the premiere of 'The Host' in the Directors' Fortnight section, establishing him as a leading Korean filmmaker and launching his successful collaborations with Song Kang-ho, who later starred in 'Parasite' and other films.
Bong Joon-ho's 'The Host' was released in 2006, setting a South Korean box office record with 13.01 million tickets sold, establishing him as a leading director in the industry. The record stood until surpassed by 'Avatar' in 2010.
Bong Joon-ho's film 'The Host' was released and set the South Korean box office record with 13.01 million tickets sold, establishing him as a leading director. The record stood until surpassed by 'Avatar' in 2010.
In 2005, Bong Joon-ho discovered the French comic 'Le Transperceneige', sparking the idea for his acclaimed film 'Snowpiercer'. Inspired by the comic’s themes of humanity and social hierarchy, he transformed it into a powerful international project.
Bong Joon-ho's film 'Snowpiercer' was inspired by the French comic 'Le Transperceneige', whose themes of human struggle and societal structures shaped his creative direction.
Bong Joon-ho's 'Memories of Murder' (2003) cemented his status as a crime-thriller master, blending true crime with sharp social commentary and launching his successful partnership with Song Kang-ho. The film’s critical and commercial success—selling 5 million tickets—propelled Korean cinema’s renaissance and influenced countless works, while its actors, including Kim Sang-kyung and Park Hae-il, saw their careers soar. Decades later, it remains one of Bong’s most impactful films, leaving a lasting mark on public memory and the genre.
Bong Joon-ho's 2003 crime film 'Memories of Murder' powerfully depicted a serial murder case, emphasizing that remembering crimes is the start of punishment. It influenced characters like Detective Park Kwang-ho in 'Tunnel', remains a notable work in his early career, and left a lasting influence on South Korean culture and media.
Bong Joon-ho's 'Memories of Murder' boosted his crime-thriller acclaim and led Kim Sang-kyung to receive over 100 detective role offers.
Bong Joon-ho collaborated with Song Kang-ho for the first time in 'Memories of Murder'.
Bong Joon-ho's 'Memories of Murder' achieved both commercial success, selling over 5 million tickets, and critical acclaim by blending social commentary with mainstream appeal, featuring a memorable performance by Park Hae-il as a murder suspect.
Bong Joon-ho's debut film 'Barking Dogs Never Bite' (2000) introduced his satirical style and launched key collaborations—with actor Song Kang-ho ('Memories of Murder') and subtitler Darcy Paquet, who later worked on 'Parasite'. The film, featuring Byun Hee-bong, became a cult favorite.
Bong Joon-ho's debut film 'Barking Dogs Never Bite', starring Byun Hee-bong, established his signature style of satirizing social issues through comedy and metaphor, launched their collaboration, paved the way for his later acclaimed works, and later became a cult favorite.
Bong Joon-ho's debut film 'Barking Dogs Never Bite' impressed Song Kang-ho, sparking a collaboration that began with 'Memories of Murder' in 2003.
In 2000, Bong Joon-ho and Darcy Paquet began a long-term subtitling partnership starting with 'Barking Dogs Never Bite,' collaborating on nearly all of Bong's films through 'Parasite' except 'Okja,' ensuring nuanced English subtitles that made his films accessible internationally.
Bong Joon-ho screened his feature debut 'Barking Dogs Never Bite' at the Busan International Film Festival in 2000, marking his introduction to a major Asian film platform and contributing to early recognition of his directorial talent, which aided his subsequent rise as a globally acclaimed filmmaker.
Bong Joon-ho screened his feature debut, 'Barking Dogs Never Bite,' at the Busan International Film Festival. This marked his introduction to a significant Asian film platform, aiding in the early recognition of his directorial talent. The event contributed to his subsequent rise as a globally acclaimed filmmaker.
Bong Joon-ho’s rare short film 'Looking for Paradise' had its sole public screening for just 10 members of his cinephile club, Yellow Door. The exclusive event is featured in a new Netflix documentary about Bong’s early career.
Bong Joon-ho's short film 'Looking for Paradise' had its sole screening for his cinephile club and is now featured in a Netflix documentary about his early career.
Bong Joon-ho credits Kim Ki-young's 1960 classic 'The Housemaid' as a key inspiration for 'Parasite''s staircase symbolism, reflecting his admiration for Korean cinema's exploration of social divides.
Bong Joon-ho drew inspiration from Kim Ki-young's 'The Housemaid' for 'Parasite''s staircase motif, reflecting his admiration for classic Korean cinema and its themes of social hierarchy.